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04/15/2004 Entry: "The Ginger Mayerson Fifty Films, 50/50 - The Americanization of Emily"

In our ongoing series of The Ginger Mayerson Fifty Films, here is 50/50:

The Americanization of Emily
And last, but not least, here is my statement on being an American, which is inseparable from the best Julie Andrews film ever. If you liked Julie and James Garner in that weird cross-dressing musical, you'll hate this, but that says more about you than it says about this film. So there.
The Americanization of Emily, James Garner, Julie Andrews, Melvyn Douglas, James Coburn, Keenan Wynn, William Windom, Sharon Tate (!), and many others.

Thank you for your attention.

FINIS

And a link to the whole damn Mayerson Fifty Films list.

PS. There were two 33s, so you actually got 51 films. Yay!

The Ginger Mayerson Fifty Films, 1/50

In honor of the 50 guy films, which Laurel wants to know WHY these are GUY films. Now, this is a damn good question and any thoughts on it are welcome. These are just fifty good films and should not be hogged by GUYS or ANYONE.

Anyway, in no particular order, here is 1/of my Fifty Films For Ginger Mayerson:

The Plainsman
As far as I'm concerned, Jean Arthur as Calamity Jane is a role model for any young woman of any era. Every girl child should be guided to this film between the ages of nine and thirteen. No one has to explain it to her; she'll get it on her own. Oh and Gary Cooper as Wild Bill Hickok is to melt all over your couch for a good example of an upstanding man standing against whatever it is. He dies at the end and this is why you should NEVER play poker with your back to the room. Especially if your enemies are weasely enough to shoot you in the back. In between Calamity Jane driving a huge team of horses into town, wielding a whip like nobody's business, to the shooting at the end, there's horses, chases, torture, shooting, romance, cross-dressing, drinking, and general frontier type carrying on. Native Americans get the usual Hollywood shafting of that era, but it was that era. Cecil B. DeMille directed this, so it really has very little to do with the West, but does has some great epic stuff in it.
The Plainsman starring Gary Cooper, Gary Cooper, Gary Cooper, and some other people.

The Ginger Mayerson Fifty Films, 2/50 - The Westerner

The Westerner
I have this weird thing for Judge Roy Bean and will watch any film he's portrayed in. Lots and lots of chemistry between Gary Cooper and Walter Brennan in this one. And for those of us who grew up on "The Real McCoys", "Will Penny" and whatever other weird Walter Brennan on TV in the 60s I can't remember, Walter Brennan as Judge Roy Bean is an eye-opener. He's got that almost sexy, but crazy man thing going on, if you can imagine such a thing. Nearly eclipses Cooper in their scenes, if you can even imagine such a thing. The romance and freedom of the West lose out to stability and commerce in the end. It's inevitable, just accept it.
The Westerner, starring Gary Cooper, Gary Cooper, Gary Cooper, Walter Brennan, and some other people.

The Ginger Mayerson Fifty Films, 3/50 - Young Frankenstein

Young Frankenstein
Definitely a desert island film. The best comedy ensemble ever.
Dr. Frankenstein: "Igor, help me with the bags."
Igor ( la Groucho): "You take the blond and I'll take the one in the turban."
Okay, you had to be there.
Young Frankenstein, starring Gene Wilder (too much mascara, man), Teri Garr (funny and sexy), Marty Feldman (hysterical), Madeline Khan (hysterical), Cloris Leachman (hysterical squared), Peter Boyle (yes!), Kenneth Mars ("To the barricades!"), Gene Hackman ("But I was going to make cappuccino."). Directed by Mel Brooks and has original Frankenstein film laboratory set, honest, I read it somewhere.

The Ginger Mayerson Fifty Films, 4/50 - Caddyshack

Caddyshack
I don't care what anyone says, Rodney Dangerfield is hysterical. Always has been. Everyone, except the kids and the cheesecake, is a riot in this film.
Caddyshack sort of starring Rodney Dangerfield with Bill Murray, Chevy Chase (funnier than usual), Ted Knight, and some annoying kids and blonds.

The Ginger Mayerson Fifty Films, 5/50 - Escape From New York

Escape From New York
There's so much chemistry between Snake Plisskin and Bob Hauk in the office scene, I'm still expecting one of them to crawl over Hauk's big, um, desk. No kidding.
Guns! Cleavage! Harry Dean Stanton is a genius! Isaac Hayes is REALLY scary! Oh, and Ernest Borgnine, I have no idea what he was doing in this film but he was GREAT!
Yes, I know there's a comic book, but that would ruin it for me.
Escape From New York starring Snake + Bob 4evah

The Ginger Mayerson Fifty Films, 6/50 - Horse Soldiers

Horse Soldiers
Have I ever talked about my John Wayne fetish? No? Huh.
John Wayne, William Holden, great moments on horseback. Yeah, the South still loses. Deal with it.
There is an interesting, to me, moment at the end when the Union surgeon (Holden) stays behind Confederate lines with the wounded and the Confederate forces ride up, actually they are chasing John Wayne and his guys. The Confederate surgeon tips his hat to Holden and says "May I be of service, Doctor?" or words to that effect.
War just isn't like that anymore. If it ever was.
Horse Soldiers, John Wayne, William Holden, and the Civil War.

The Ginger Mayerson Fifty Films, 7/50 - Ran

Ran
Gah. Run to "Ran". Sorry, folks, Shakespeare is just so much better in Japanese. And this "King Lear" is THE Lear for me.
Ran, directed by Akira Kurosawa when he was 75 years old and everyone, especially Mieko Harada as Lady Kaede (whew!), I mean, everyone is just incredible in it. Amazing battle scenes, gorgeous costumes, and huge, epic scenery, too.

The Ginger Mayerson Fifty Films, 8/50 - Blade Runner

Blade Runner
When I lived in Prague and I'd get homesick, I'd go see Blade Runner. It was always playing somewhere in Prague. I could never figure out why.
Blade Runner, starring dark and moody LA locations and Harrison Ford and Rutger Hauer when they were still good looking.

The Ginger Mayerson Fifty Films, 9/50 - Aliens

Aliens
In addition to "The Plainsman", all young girls should see this one for a female role model, too. When the film cut to Ripley taping that huge gun and flamethrower together, every woman in the theater let out a low growl of support.
Aliens, starring massive weapons and a massive maternal instinct.

The Ginger Mayerson Fifty Films, 10/50 - Stagecoach

Stagecoach
Okay, more John Wayne, but young John Wayne this time. Bad guy redeemed by love and social forces. John Wayne, Claire Trevor, and John Carradine (odd, all these years I remembered the actor as being Basil Rathbone, hm). The Cavalry really does come over the hill in this one.
Stagecoach, John Wayne, Monument Valley, Indians, the Calvary, etc.

The Ginger Mayerson Fifty Films, 11/50 - The American Friend

The American Friend
Not a clue what this film is about, but it's fabulous and Dennis Hopper is way cool.
The American Friend, Dennis Hopper and Hamburg when there was a West Germany for it to be in.

The Ginger Mayerson Fifty Films, 12/50 - To Have and Have Not

To have and have not
Lauren Bacall is smacked with her own US Passport and doesn't flinch. Mediocre singing at the end, but her dress is a killer.
To have and have not, yeah yeah, Hoagy Stardust Carmichael and Walter Brennen Walter Brennen Walter Brennen! Is there no escape from Walter Brennen?

The Ginger Mayerson Fifty Films, 13/50 - Becket

Becket
Richard II and Thomas Becket (not to mention Peter O'Toole and
Richard Burton) were made for each other. And then God got in the way.
Becket Richard Burton and Peter O'Toole. This isn't strictly why I like this film, but it's mainly the acting and a few of the locations. It certainly isn't the clothes or music.
(Note: How can this NOT be on DVD?)

The Ginger Mayerson Fifty Films, 14/50 - What's New Pussycat?

I must be on a Peter O'Toole jag.

What's New, Pussycat?
There are films where women laugh with men and there are films where women laugh at men. This is in the latter category.
What's New, Pussycat?, starring Peter Sellers in a "That Girl" wig, so you can just imagine what the rest of the film is like. Peter O'Toole, cameo by Richard Burton, oh my God, why can't they just be together? Why? Woody Allen when he was still funny. And a bunch of 60s women whose names I really can't remember. Romy something, Paul something, Ursula something. Capucine is in this one. She fascinates me; I can't think of another gorgeous 60s woman who gets more mauled in these nutty 60s comedies and still looks great. Not even the legendary Margaret Dumont holds a candle to Capucine in this, the Panther films and who knows what else.
(Note: I CANNOT believe this is NOT on DVD yet, but the VHS is above, if it's ever in stock again. Geeze.)

The Ginger Mayerson Fifty Films, 15/50 - Repo Man

Repo Man
You know, I had this weird time displacement during the punk club scene because for years I thought one of the Circle Jerks was Mike Nesmith. Would have sworn to it, but later realized (when Laurel pointed it out) that Mike was no longer looked like that in the 80s because he was (is) older than God's wet nurse.
Oh, this film, I liked it. Harry Dean Stanton. . . swoooooon . . .
"What about our relationship?"
"Oh, fuck that."
Repo Man Harry Dean Stanton and some other people.

The Ginger Mayerson Fifty Films, 16/50 - Patton

Patton
I think the speech in front of the giant flag and the shooting at the plane did me in. I was young; what can I say?
Patton, starring George C. Scott and World War II in no particular order.

The Ginger Mayerson Fifty Films, 17/50 - Guns of Navarone

Guns of Navarone
Gregory Peck is way macho. David Niven is David Niven and this is always excellent. He also wears some very nice black turtle-neck sweaters.
Interesting fact: Maria Callas, the fool, turned down the role Irene Papas played. Sigh. Nothing against Irene, but she's just not the greatest Tosca EVER. Amen.
Guns of Navarone

The Ginger Mayerson Fifty Films, 18/50 - Ben Hur

Ben Hur
Galley scene and chariot race. Gaah-hah. This film is for everyone. I cry at the end. I'm not sure why, but there you have it.
Ben Hur

The Ginger Mayerson Fifty Films, 19/50 - Top Hat

Top Hat
Some people have dreams of flying, I have dreams of dancing like Ginger Rodgers. Go figure. This film was always on TV late late late when I had insomnia as a child. Maybe that has something to do with it. I don't recommend trying to watch it with a guy; they probably won't get it or will feel threatened by it on some strange and incomprehensible guy-level of being.
Bizarre fact: Ginger Rodgers and I were both born on July 16th, some years apart.
Top Hat Ginger Rodgers and some skinny guy in a tux that can dance a little. Edward Everett Horton seems to be hovering in the background for some reason. However, this is Ginger's world and they're just living in it.

The Ginger Mayerson Fifty Films, 20/50 - The Ladykillers

The Ladykillers
Alec Guinness, Herbert Lom, Peter Sellers and everyone in this film is a scream. Guinness is creepy and funny at the same time. You have to see it to believe it because it defies description.
The Lady Killers see above and some nice old English lady.

The Ginger Mayerson Fifty Films, 21/50 - Monty Python and the Holy Grail

Monty Python and the Holy Grail
Didn't we all grow up on this film? What can I say?
Monty Python and the Holy Grail Starring Monty Python and the Holy Grail.

The Ginger Mayerson Fifty Films, 22/50 - What's Up Doc?

What's Up Doc?
If you have to end up in Hell with one Barbara Streisand movie, pray this is it. Pretty good chase and Madeline Kahn saves this film from itself by being a non-stop scream. Okay, there is some singing, but it doesn't go on very long.
What's Up Doc? Madeline Kahn and the famous Fanny Brice impersonator.

The Ginger Mayerson Fifty Films, 23/50 - The Great Escape

The Great Escape
Steve and his boys make moonshine to celebrate the Fourth of July! Is that American or is that American? Then heartbreaking things happen. Another teary moment is when Steve, escapes but let's himself be recaptured so he can pass his reconnaissance. How do guys watch this film without a box of tissues? It's amazing.
Everybody in it is great! From Max von Sydow to Donald Pleasance, there just ain't a false move in it.
The Great Escape A lot of really extremely attractive men in uniform, now that I think about it.

The Ginger Mayerson Fifty Films, 24/50 - El Dorado, Rio Bravo, and Rio Lobo

El Dorado
John Wayne, Robert Mitchum and James Caan.
Rio Bravo
John Wayne, Dean Martin, Ricky Nelson, and Walter Brennan (!!!)
Rio Lobo
John Wayne, Jennifer O'Neill, Jack Elam, and Christopher Mitchum
Male friendship. Very cool. What the hell else do you want from a John Wayne Western?
El Dorado; Rio Bravo; Rio Lobo, they're all basically the same film. Except for the one with Walter Brennen, from whom there is NO escape.

The Ginger Mayerson Fifty Films, 25/50 - Waiting for Guffman

Waiting for Guffman
Catherine O'Hara and Fred Willard can be declared National Treasures anytime now.
Waiting for Guffman

The Ginger Mayerson Fifty Films, 26/50 The Searchers

The Searchers
John Wayne goes nuts and then gets better.
The Searchers

The Ginger Mayerson Fifty Films, 27/50 - Gilda

Gilda
Rita Hayworth in a slinky black dress... Yow! Put the blame on Mame, boys, put the blame on Mame.
Gilda

The Ginger Mayerson Fifty Films, 28/50 - A Fine Madness

A Fine Madness

Sean Connery runs around Manhattan yelling "Where're my poems!?" and generally misbehaving. He is a rotten husband to Joanne Woodward, wonderful as usual and in all her exasperated glory here, but then he gets better or worse depending on your point of view. It's actually all pretty funny in a grainy 60s sort of way. Who knew Sean and Joan could do comedy so well?
A Fine Madness, Sean Connery, Joanne Woodward, Jean Seberg (!!!)

The Ginger Mayerson Fifty Films, 29/50 - Footlight Parade

Footlight Parade
James Cagney makes tap dancing muy macho. "Lookin' for my Shanghi Lil" number is just delightful. Better than all the super humongous Busby Berkeley production numbers, which are great, too, of course, if you like that kind of thing. Guys probably hate this film. Too bad for them.
Footlight Parade, James Cagney, Joan Blondell, Ruby Keeler, and Dick Powell

Ginger Mayerson Fifty Films, 30/50 - White Heat

White Heat
This is a very disturbing film. Cody Jarrett is completely insane.
White Heat, James Cagney is utterly amazing.

The Ginger Mayerson Fifty Films, 31/50 - Performance

Performance
It has a great soundtrack, too.
Performance Mick Jagger oooh aaaah

The Ginger Mayerson Fifty Films, 32/50 - White Lightening

White Lightening
Burt Reynolds in a revenge flick with car chases. Just imagine that! Very cool, nicely Southern, somewhat dark, and very violent, of course.
White Lightening, Burt Reynolds was kind of sexy before he went over the edge.

The Ginger Mayerson Fifty Films, 33/50 - Down by Law

Down by Law
I don't think this had a script, just rough outlines they pulled out of a hat before each shoot. Completely wonderful, very funny and so bizarrely American, the Czech audience I saw it with in Prague didn't get most of it. Hell, I didn't get a few things.
Down by Law, Tom Waits, John Lurie, Roberto Benigni, Nicoletta Braschi, Ellen Barkin. Lawdy!

The Ginger Mayerson Fifty Films, 33/50 (Oops, I guess that makes it two 33s, oh well) - Bill and Ted's Excellent Adventure

Bill and Ted"s Excellent Adventure
They're so cute and so dumb.
Bill and Ted's Excellent Adventure

The Ginger Mayerson Fifty Films, 34/50 - Pal Joey

Pal Joey
Nice songs, babes, and Sinatra isn't too annoying.
Pal Joey Frank Sinatra being a cad, just imagine! Rita Hayworth (gah!), Kim Novac (gah! gah!)

The Ginger Mayerson Fifty Films, 35/50 - Red River

Red River
John Wayne raises the orphaned Montgomery Clift to smoldering adulthood and does a pretty job. Later he goes nuts, but then gets better. Walter Brennan is in this one, too. (What a career! I tell you, what a career! And where are the Walter Brennan festivals? Where!?) LOTS of chemistry between Wayne and Clift, too bad they didn't make another film together.
Red River

The Ginger Mayerson Fifty Films, 36/50 - Walk on the Wild Side

Walk on the Wild Side
I once asked my father to explain this film to me and he took me shopping instead. When I saw this film again as an adult, I realized what a brilliant gambit the old man had performed. This is a SCARY film, sex is SCARY in this film, women are SCARY in this film, Karl Malden is SCARY in this film. This is a great film. Young Jane Fonda, good Lord, young Jane Fonda. I love Laurence Harvey, he's cool and tragic. The Elmer Bernstein score is so great, it's SCARY.
Walk on the Wild Side

The Ginger Mayerson Fifty Films, 37/50 - Monkey Business

Monkey Business
Mmmmmmmmm, Groucho and Thema, hotcha-cha-cha! No plot whatsoever but lots of great moments strung together.
Society matron: "Maestro, what's the name of the first number?"
Chico: "Numba one." And then he plays the piano with an orange, it's just too wonderful.
Monkey Business

Interesting fact: According to the infallible John Saleeby over at Acid Logic, Herman Mankiewicz not only produced Monkey Business, but also co-wrote Citizen Kane!

"From Where Hath All This Wackiness Sprung Forth? Orson Welles was a lot of things - Mostly a lot of Orson Welles - but "Funny" wasn't one of them. He was the sort of person who told a joke and people thought it was "wry". I tell a joke and people ask me "why". "Citizen Kane" is funny because of Herman Mankiewicz who co wrote the script with Welles."

and

"Aside from "Citizen Kane" Mankiewicz is mostly known for producing the best Marx Brothers movies "Monkey Business", "Horsefeathers", and "Duck Soup" - One hell of a bigger accomplishment than a radio spook show about invaders from Mars based on a book by some dead Englishman, if you ask me. The Prevailing Attitude is that Herman Mankiewicz was just some drunken old wise ass who knocked out two hundred and fifty pages of "Raw Material" which El Maestro Orson Welles then sculpted into a Mighty Masterpiece like Jesus Christ feeding The Multitudes with half a loaf of Wonder Bread and some tuna fish. We're supposed to believe that Orson Welles was so great he could have made The Best Movie Of All Time out of the tag attached to his mattress but Herman Mankiewicz is so insignificant that nobody can mention him without talking about his brother Joe who made that Great Super Big Deal Masterpiece "All About Eve"."
Best Movie EVER? Forever And EVER!?!, by John Saleeby, Acid Logic, March 16, 2004

Hey, I don't make these things up, you know.

The Ginger Mayerson Fifty Films, 38/50 - Duck Soup

Duck Soup
Well, I wanted to put Horsefeathers here but it's not on DVD or VHS that I could find. Oh well. Anyway, the trial scene and war song make this worth being on the Mayerson Fifty list
Duck Soup

The Ginger Mayerson Fifty Films, 39/50 The Grass is Greener

The Grass is Greener

Deborah Kerr, Cary Grant, Robert Mitchum and Jean Simmons in a comedy of manners. What the hell else do you need in life? Mitchum is a seething, hulking, brute of an American millionaire (hey, I'd do him) who steals Deborah Kerr from Cary Grant. Jean Simmons is a seething, hulking brute of an English ninny here, but is also great.
Favorite line: "If your mistress is unfaithful, dismiss her. If your wife is unfaithful, understand her."
The Grass is Greener

The Ginger Mayerson Fifty Films, 40/50 - The Adventures of Baron von Munchausen

The Adventures of Baron von Munchausen
I just love this stunning and silly film, really I do. And it's nice a little girl gets to go on an adventure for a change. Nice to see Oliver Reed for five minutes again, too.
The Adventures of Baron von Munchausen

The Ginger Mayerson Fifty Films, 41/50 - Guys and Dolls

Guys and Dolls
Marlon Brando cannot sing, but he can kind of dance. Somewhat goofy music, babes, and Frank Sinatra. Anything by Adelaide is great.
Guys and Dolls

The Ginger Mayerson Fifty Films, 42/50 - I'm no Angel

I'm No Angel
She's not kidding.
I'm No Angel, Mae West, Cary Grant, yeah.

The Ginger Mayerson Fifty Films, 43/50 - She Done Him Wrong

She Done Him Wrong
Mae West sings "Frankie and Johnny". Well, it's not singing, but there really isn't a word for what she does to a song. Great West, great Grant, great gowns and she shoots a guy, great stuff!
She Done Him Wrong

The Ginger Mayerson Fifty Films, 44/50 - The Manchurian Candidate

The Manchurian Candidate
Amazing and scary story amazingly and scarily told. However. Frank Sinatra is supposed to be great in this film, I thought he was a little annoying. Janet Leigh drives me nuts, she's like the non-singing (thank you God) version of Betty Hutton. Laurence Harvey is a GOD. Angela Landsbury and Dick Gregory were made for each other. Strangely, this all ends up being one of my favorite films ever because everyone, annoying or not, is perfect in it. I've no idea how they did it, but they did. John Frankenheimer is such a great director, what the hell happened to his career?
The Manchurian Candidate, yes, I know, it's another Sinatra film, sorry.

The Ginger Mayerson Fifty Films, 45/50 - The Train

The Train
Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster Burt Lancaster as an embittered, but limber, French Resistance merc. Swooooon. And a really cool train full of French art treasures Burt keeps in the station so the Nazis can't have it. Yay! And Paul Scofield in uniform, mmmmmmmmmmmm. John Frankenheimer is such a great director, what the hell happened to his career? Arthur Penn bailed on directing this film; was he nuts?
The Train, Burt, Paul, and The Train.

The Ginger Mayerson Fifty Films, 46/50 - Dr. Strangelove

Dr. Strangelove
I hope no one EVER tries to remake this film. There just isn't another Peter Sellers out there to be Dr. Strangelove. And George C. Scott and Slim Pickens and the rest of that cast can never EVER be replaced. I had claustrophobia from all the scenes in the plane, it was icky. "We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day!" Sigh.
Dr. Strangelove

The Ginger Mayerson Fifty Films, 47/50 - The Greatest Show on Earth

The Greatest Show on Earth
This Cecil B. DeMille directed (can you even imagine?) madhouse has the weirdest cast you can imagine: Charleton Heston, Betty Hutton, Cornel Wilde, Dorothy Lamour, Gloria Grahame, Emmett Kelly, James Stewart, and LOTS of real circus performers. One could consider it sort of like the greatest circus story ever told, or something. Not quite a train wreck, but there is a really great (circus) train wreck in it. As usual, the train is wrecked by a jealous boyfriend and that's just one of many tropes in this magnificent sensory overload of a film. It's pretty good if you can get over this: Betty Hutton last note before the credits is flat and wipes out any positive memories you might have of this film. Just be sure to click off the sound when she starts singing on the trapeze on the road (I'm not making this up) after the train wreck. You'll be glad you did.
The Greatest Show on Earth, everyone and their brother. Does Betty Hutton scare anyone else? I really think John Wayne should have had her role here.

The Ginger Mayerson Fifty Films, 48/50 - Circus World

Circus World
John Wayne goes nuts and then gets better. Oh wait, no, he runs a circus and then gets better. This is a very strange film and strangely low key for a circus film. Kind of annoying until Rita Hayworth shows up and saves everyone's career, of course. Orson Wells should have been in this film, now that I think about it. There's a shipwreck or dock wreck in this film. Shipwrecks, train wrecks; what is it about circuses? Some kind of wreck curse or something.
Circus World, You know, I really think Charlton Heston really should have had Rita Hayworth's role here. And just why aren't there any Heston/Wayne films anywhere? Can anyone tell me why not? Yes, I know it's another John Wayne film, sorry.

The Ginger Mayerson Fifty Films, 49/50 - Querelle

Querelle
I have to include this film* because I have a HUGE thing about Jean Genet. Not as huge as Sartre's thing, but pretty huge. And it pains me that this film is such a car-train-ship-art-you-name-it wreck. It's a crime thriller with queer sailors! How in God's name could Fassbinder (whom I also like) screw it up? Sigh, the things I must endure in this life, really.
Querelle, Franco Nero! Brad Davis! Jeanne Moreau! What a waste! (*I also have to include this film because if I had to choose between Querelle and anything by the Farley Brothers, Adrian Lyne, and/or containing Owen Wilson, no contest: I'd choose Querelle.)

The Ginger Mayerson Fifty Films, 50/50 - The Americanization of Emily

The Americanization of Emily
And last, but not least, here is my statement on being an American, which is inseparable from the best Julie Andrews film ever. If you liked Julie and James Garner in that weird cross-dressing musical, you'll hate this, but that says more about you than it says about this film. So there.
The Americanization of Emily, James Garner, Julie Andrews, Melvyn Douglas, James Coburn, Keenan Wynn, William Windom, Sharon Tate (!), and many others.

Thank you for your attention.

FINIS

 

 

 

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